2-06. Two of One.

Jurati gets a little too comfortable with the Borg Queen...

Original Air Date: Apr. 7, 2022. Written by: Cindy Appel, Jane Maggs. Directed by: Jonathan Frakes.


THE PLOT:

Tallinn assists Picard and his crew with the infiltration of an exclusive gala that will be the last public appearance of Renée Picard before her mission. If they can keep her from dropping out until the end of the event, then it will be much less likely that Q can get to her.

The first part of the plan calls for Jurati to get caught on purpose. When she's brought to Security, she'll be able to open the way for the others. However, no one expects her to be handcuffed. She has to allow the Borg Queen, now implanted in her subconscious, to take control in order to break free.

Tallinn monitors Renée's text messages, discovering that Q is still trying to convince the young woman to quit the mission. Picard decides to talk to her, to persuade her otherwise - which is when Dr. Adam Soong steps in, working on orders from Q to stop him!


CHARACTERS:

Picard: The episode's best scene is his conversation with Renée, in which he guides her toward her courage. Patrick Stewart is terrific in moments such as this, showing wisdom and kindness as he tells her that fear isn't an indication that she's not ready. "Fear is fear... Fear means you're smart, you understand the risks." When Renée tries to turn his words against him, demanding to know what he's afraid of, he simply chuckles and tells her that his own fears are too numerous to even list.

Dr. Jurati: Like the last episode, much of the script involves Jurati giving openings to the Borg Queen. Unlike the last episode, she doesn't come across as an idiot while doing so. The first time she cedes control, in the security office, there's no real option. Picard's plan is failing thanks to the handcuffs; if she doesn't allow the Queen in, then the mission is over. After that, circumstances keep making it convenient to give up control just one more time, as she grows a little too comfortable with her invisible companion and trusts a little too much in the assurance that she's the one in charge.

Capt. Rios: Seems to be enjoying himself a little too much, remarking to Raffi about how good the food and drink is while showing off a "real" cigar and a box of actual matches - things available only in blander, replicated format in their sanitized future. Raffi sees right through this, zeroing in on the source of his giddiness: his encounter with Teresa. He doesn't particularly deny this. It takes only the mention of the pretty young clinic doctor for him to start enthusing about her.

Raffi: Gets a couple of nice character beats in the scene at the bar. The script remembers her addiction issues, as she has to force herself to order a club soda when she really wants to order whiskey. She watches Seven, who is mingling effortlessly with the crowd, and admits to Rios that it's nice to see her relaxed in the absence of the Borg implants. She also has another split-second hallucination of Elnor.

Tallinn: She observes how Picard's voice changes when he talks about Laris. When he denies that Laris is of any importance, she thanks him with full sincerity: "Now I know what it looks like when you lie." She briefly echoes my own speculation from last episode, that maybe Q is right and Renée really isn't ready. Picard senses Tallinn's own maternal anxiety, urging her to believe in the job she's already done protecting Renée and to let the young woman go.

Adam Soong: I'm genuinely impressed with Brent Spiner's acting this season. When he confronts Picard, there are multiple levels to his urgings for Picard to stay out of the way. There's the surface level arrogance, the assumption of power by a man of influence. But we can also sense the desperation just below the surface. Then there is the scene in which Kore, his daughter, goes through his video logs. Each log is short as we track the arc of his life's work, and each of these excerpts sees him in a different emotional state. Spiner nails every shift in Adam throughout these logs, lending weight to what might have been a scene of pure exposition.

Teresa: When the episode opened with a flash-forward of Picard in need of medical treatment, I knew right away that she was going to be brought back into the story. Yes, the off-the-books clinic for patients who gasp, "No hospital," is where they take an injured Picard. Teresa helps him, but she knows that Rios and the others are concealing the truth from her. Rios tries to assure her that they are "the good guys" - something that life has taught her that actual good guys never say.

Borg Queen: Her manipulations of Jurati continue - and now that she's inside Jurati's head, there's no way for the other woman to just walk away. It goes without saying that the Queen is working toward her own agenda even as she helps with Picard's plan. Even her most impulsive action, as she pulls Rios in for a kiss, is given a new context at the episode's end, when we learn exactly what she needs to seize full control.


THOUGHTS:

Two of One is a short episode, clocking in at less than 40 minutes including credits. This is one benefit of streaming, that episodes neither have to be cut or padded to fit a timeslot. That said, I think this episode is a little too short, with elements that seem underdeveloped and some rather abrupt transitions.

One problem is that roughly half the crew is given nothing to do in the actual mission. Jurati gets them in; Tallinn tracks Renée's communications; Picard talks to Renée. Meanwhile, Raffi, Rios, and Seven are... present. The episode seems to be trying to echo Mission: Impossible and/or Ocean's Eleven - but those series always made sure that every member of the team had at least one important thing to do. A couple of good character bits aside, half of Picard's team amount to spare parts.

While I wish the plotting was a little sharper, the character material is excellent. I expected a fun plot-based episode. I was surprised to find it to be one of the series' better character episodes. There are several strong moments for the cast: Picard's confrontation with Soong, his sternness here a contrast with his gentler interactions opposite Tallinn and Renée; the conversations between Rios and Jurati, and then Rios and Raffi; Raffi balancing her stress and guilt about Elnor against the enjoyment of watching Seven genuinely enjoying herself; the Borg Queen's manipulations of Jurati; and Teresa's refusal to simply accept Rios's assurances at face value.

The episode excels at making the show's characters feel properly alive. If only the script had been given another pass to make the plot mechanics as sharp as the character scenes!


SHADOWS OF THE NIGHT:

The episode's big set piece comes when Soong tries to have security eject Picard. Jurati and the Borg Queen create a distraction, shutting down the lights and then drawing all eyes to Jurati while she performs the early 1980s song, Shadows of the Night.

I know this scene drew mixed reaction from Trek fans. For the record, I like it. A degree of goofiness has always been part of Star Trek's appeal for me, and stopping a caper episode for a musical number definitely fits that description. The song is well chosen, with the lyrics fitting the Borg Queen/Jurati relationship quite well. "It's a cold world, when you keep it all to yourself... You can't hide on the inside, all the pain you've ever felt." That sounds an awful lot like a musical version of the Queen's repeated statements that, without the Borg, Jurati will always be alone; and the chorus of "surrender all your dreams to me tonight" could just about be the Borg assimilation theme song.

Like other moments in this episode, though, the scene feels both abrupt and underdeveloped. The orchestra seems too happy to just play along. This could have been easily written around: had the episode inserted a shot with the Borg Queen sending the music to the orchestra, it would explain why they go along with this unscheduled performance and at the same time would show the Queen's growing influence.

As it stands, we go into the performance too quickly and cut out of it too abruptly. I think it's a good bit; but it's not as well integrated into the story as it should have been.


OVERALL:

Director Jonathan Frakes delivers some strong individual scenes, and I found Two of One to be enjoyable overall. It's briskly paced, and with all threads focused on the gala, it's never at risk of feeling fragmented.

The episode suffers from a sense of being rushed and underdeveloped. The regulars all get good character moments, but half of them never get any plot material. If Seven, Raffi, and Rios weren't at this event, the mission wouldn't be affected at all. 

Still, the brisk pace and short running time leave no opportunity for boredom. I had fun watching this. I just can't help but feel that it could have been and should have been a lot better.


Overall Rating: 6/10.

Previous Episode: Fly Me to the Moon
Next Episode: Monsters

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2-05. Fly Me to the Moon.

Picard and Tallinn discover Q trying to manipulate an astronaut into quitting an upcoming mission.

Original Air Date: Mar. 31, 2022. Written by: Cindy Appel. Directed by: Jonathan Frakes.


THE PLOT:

The Watcher, who looks exactly like Picard's housekeeper/would-be lover Laris, is actually Tallinn (Orla Brady). She is wary of Picard and doesn't like time travelers in general. When Picard introduces himself by name, however, her attitude changes. She has been sent to protect the timeline as it relates to one specific person: Picard's ancestor, Renée (Penelope Mitchell).

Renée is an astronaut assigned to the upcoming Europa mission. Picard isn't sure what role she ends up playing, as records for the century before First Contact are fragmented. All he knows for sure is that Q is trying to manipulate her into dropping out of the mission, and that he's close to succeeding!

Q has also made contact with Dr. Adam Soong (Brent Spiner), a geneticist whose daughter (Isa Briones) suffers from a rare condition. Q offers a cure... at a price. Meanwhile, Jurati lets her guard down, giving the Borg Queen the very opening she's been waiting for...


CHARACTERS:

Picard: Despite the shock of Tallinn's resemblance to Laris, he quickly realizes that this is a different individual and focuses on winning her trust. He is outraged when he sees Q acting as Renée's therapist, and that spark of anger fans his determination to take action.

Dr. Jurati: I've been expecting her to make a mistake with the Borg Queen, but I anticipated a tiny lapse, a letting down of her guard at the worst possible moment. Instead, Jurati's brain falls out. She sleeps in Chateau Picard, leaving the ship unguarded and the Queen free to work her mischief. This is the exact type of bad writing that annoys the heck out of me, as Jurati is transformed into a complete imbecile so that Plot can happen.

Raffi: While rescuing Rios, Raffi briefly mistakes one of the detainees for Elnor. The young man does resemble Elnor, but she has a split-second full-on hallucination (which conveniently allows Evan Evagora to get paid this week). Guilt and stress has pushed Raffi to the edge of snapping, something that's not going unnoticed by Seven.

Tallinn: The Watcher, who has been sent to Earth to protect an aspect of the timeline - in her case, just one specific individual of importance. Picard connects this to Kirk's encounter with Gary Seven in the TOS episode Assignment: Earth. Orla Brady remains terrific, and she makes Tallinn a different character than Laris. Tallinn is nothing but brusque and businesslike until she starts talking about Renée - and then, as she speaks of her accomplishments, her voice warms and a smile appears, conveying maternal pride.

Renée Picard: At the end of the last episode, we saw Q try and fail to affect the mind of a young woman. Renée is that person, and she's apparently the figure at the heart of the season arc. She's decidedly life-sized, anxious about the mission and fearful that she isn't ready for the responsibility, and it's those anxieties that Q seems intent on preying upon.

Adam Soong: Brent Spiner returns as yet another member of the Soong dynasty. Adam has that Soong arrogance. Speaking before a board that's in the process of judging him, he's imprudent enough to demand that they think of him as a god, which goes over about as well as you'd expect. Still, he's more relatable than the various other Dr. Soongs the franchise has introduced. He's amusingly cranky and impatient, and he's motivated by his daughter's genetic illness. When Q dangles a cure for her condition, he resigns himself to doing whatever is asked, stating: "I am a hostage to you, sir."

Kore Soong: Soong's daughter, played by Isa Briones. While this is a lot of doppelgangers for one episode, I can just about handwave it: Soji was designed to be Data's daughter, after all, and it's not beyond reason that Data's design was based on the actual daughter of one of his creator's ancestors. In this episode, Kore is more plot device than anything else, existing as a motivator for her father. Still, the episode shows that father and daughter have a close relationship, with her teasing him over the very elements of his speech that guaranteed him a frosty reception.

Borg Queen: She has nothing but patience as she meticulously probes the security on the ship until she finds a gap. Then she takes pleasure in calling Jurati to her. Her interactions with Jurati remain those of a toxic lover, as she insists that the other woman will always be alone without her and that she is her only hope. The result... likely isn't what she expected, but she improvises quickly.

Q: His powers may be diminished, but that doesn't mean that he isn't dangerous. He retains a universe's worth of knowledge and a knack for manipulation, and he uses these against both Renée and Adam. It's still not clear what end he's working toward, but he clearly feels as much urgency in achieving his goal as Picard does about stopping him.


THOUGHTS:

We're all hostages to what we love. The only way to truly be free is to love nothing. How meaningless would that be?"
-Q seems to be talking about more than just his coercion of Adam Soong.

Right now, my big question is what Q is actually doing. This episode strongly indicates that he altered history by stopping Renée from joining the mission. But what if that's exactly wrong? What if her doubts about being ready are correct, and Q's original interference was getting her to go on the mission when she should have stayed? Picard admits that the records about her career are incomplete. Sure, she went into space - but what if that was a later mission and not this one? It was just a thought that sprang to mind while I was watching this episode.

Fly Me to the Moon sees the season arc starting to come into focus. Renée is officially introduced, with her upcoming mission made the focus for both Q and Picard. Adam and Kore Soong are introduced; exactly how Q plans to use them is not yet clear, but at least the building blocks are placed. Tallinn is introduced as a new ally (at least for now), and by episode's end the plot seems ready to start properly moving.

The most intriguing thread of the past few episodes has been the interactions of Jurati and the Borg Queen. In this episode, their scenes end up being the weakest element. Director Jonathan Frakes has some fun evoking horror movie vibes with the Queen, but the script gets there by having Jurati behave with implausible stupidity. Couldn't the same end have been reached without the script undermining the very intelligence the Queen finds so fascinating?

My issues with that thread aside, Fly Me to the Moon is a much better episode than Watcher. Transitions are smoother and, save for the rescue of Rios that ties up the dangling threads from Watcher, the rest ends up linking to Renée and her upcoming flight. Where Watcher felt choppy, this episode's parts feel like they're working together.

It certainly doesn't hurt that this episode brings Orla Brady back to the show. Even in a new role, she and Patrick Stewart retain strong screen chemistry, and their scenes together are enjoyable. This episode also sees Q's most substantial role so far this season, and John de Lancie is excellent as usual. I particularly enjoyed his scenes opposite Brent Spiner, whose Adam Soong promises to be an interesting character in his own right.

The episode ends by setting up a Mission: Impossible style infiltration of a high-security event, which promises some fun for the next episode. But lest things go too smoothly for our heroes, there is a last little wrinkle that takes us to the end credits.


OVERALL:

Jurati leaving the Borg Queen unguarded is enough for me deduct one point from the episode's score. That aside, I enjoyed Fly Me to the Moon. It's still an episode mostly concerned with setting up plot pieces, but it feels very much as if the season arc is kicking into gear. Most importantly, I found this episode a lot more entertaining than the previous installment.


Overall Rating: 6/10.

Previous Episode: Watcher
Next Episode: Two of One

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2-04. Watcher.

Picard reunites with an old friend (Ito Aghayere).

Original Air Date: Mar. 24, 2022. Teleplay by: Juliana James, Jane Maggs. Story by: Travis Fickett, Juliana James. Directed by: Lea Thompson.


THE PLOT:

Dr. Jurati's connection with the Borg Queen was a success. She got coordinates to help Picard find the mysterious "Watcher," and she even has a date: the 15th, a mere three days from now.

With no way to contact the others, Picard beams directly to those coordinates. To his joy, this leads him directly to Guinan's bar! But the young Guinan (Ito Aghayere) is packing her things, having given up on humanity. She doesn't know who Picard is (for some reason), and he has to convince her that he can be trusted while at the same time trying to persuade her not to turn her back on Earth.

Meanwhile, Rios has been confined by Immigration and Customs Enforcement and is set to be deported. This leaves Seven and Raffi racing to rescue him - which somehow leads to them stealing a police car!


CHARACTERS:

Picard: "I know you're done with listening, but you are not done with humanity. Change always comes later than we think it should." Picard's idealism shines through in his interactions with the embittered young Guinan. He doesn't deny the legitimacy of her disappointment in humanity, but he pushes her to realize what she already knows: Better is possible, and it will eventually come. Patrick Stewart is particularly good here, helping these scenes to work better than much of the surrounding material.

Dr. Jurati: More than the rest of the crew, she recognizes that Picard - "the great man" - is just human, despite his synthetic body. At the dilapidated Chateau Picard, she recognizes that he's distracted and prods him back to the present. Despite (in part because of) her intelligence, she remains vulnerable. She tries to avoid engaging with the Borg Queen, but every complication brings her back - and her willingness to engage in verbal sparring seems all too likely to lead her into serious trouble.

Raffi/Seven: When Raffi is being overly hostile and aggressive to a desk officer at the police station, Seven pulls her back and smooths things out as best she can. Seven continues trying to be the Voice of Reason, right to the point at which they find themselves stealing a police car - at which point she starts driving with the care and precision of a teenager playing Grand Theft Auto. Wouldn't it have fit the two characters' emotional states better had Raffi been the driver, with Seven begging for her to slow down?

Capt. Rios: Santiago Cabrera, usually one of the cast standouts, gets lumbered with the weakest thread of a pretty weak episode. Rios ends up confined in the cleanest, least crowded immigration detention facility in history. When questioned by an ICE officer, he decides to tell the man the full truth, knowing that there's no chance that he'll be believed. He is outraged that Teresa Ramirez (Sol Rodriguez) was detained, proclaiming that where he came from, she would be considered a hero.

Guinan: I'm torn with regards to Ito Aghayere's Guinan. In terms of baseline acting of the role as written, she is quite good, infusing her lines with emotion and presence. If this was a new character, I would be singing her praises without hesitation. There's only one problem: There isn't a single second in which I believe that I'm watching Guinan. She's simply too brittle and human. I'm assuming that she'll appear again. I hope that when she does, she's able to capture a bit of the otherworldly quality that Whoopi Goldberg pulled off so well.

Borg Queen: She talks about her brief connection with Jurati as if discussing a one-night stand. When Picard leaves Jurati to hold the ship, it's an important task that only she can do; but the Queen wields this task as a weapon, sneering that Jurati has been left behind again. Then she tries to position herself as an admirer, telling her how impressed she is not only with her mind but with her ability to be "more cruel than (she) could have predicted." The Queen remains in a position of weakness, but she exploits every chance to gain even a little power. Annie Wersching makes the most of every line and glance, and her scenes are easily the best of the episode.


THOUGHTS:

This was the entertainment equivalent of whiplash, as Picard jerked from my favorite episode of this season to my least favorite of the series thus far.

As an episode, Watcher seems to exist purely to get the characters into position to do something in the next installment. Cutting between four different character strands, which in this episode only directly connect a couple of times, it also ends up being as choppy as it is transitional.

There really isn't much unifying these threads. A better script, tasked with the transitional issue, might have tried for some thematic focus. Take either Picard's urgings to Guinan that change is possible, or the longing for connection that keeps drawing Jurati back to the Borg Queen, and infuse the other threads with that. If there had been the sense of a single theme that ran through all the character interactions, then it might have worked.

But that doesn't happen. Instead, we just get a collection of scenes. The Picard scenes are good. The Jurati scenes are clever and suspenseful. The Seven scenes feel like they were pulled out of a bad '90s action/comedy. Worst are the Rios scenes, which attempt political commentary on the topic of immigration enforcement.

For the record, I have no issue with Star Trek tackling divisive issues head-on. TOS did so with racial unrest; DS9 did so with homelessness; and I found both episodes to be effective. I do take issue, however, with the reduction of the complex and messy into the simplistic and sanitized. There seems to be only one other detainee in the entire center with Rios. There's also only one guard, who is portrayed as a sadist - but whose abuse never threatens to be anything to actually disturb home viewers. And no, nothing here is as bad as TNG's clunkiest efforts (I refer you to The Outcast or Force of Nature)... but I'd hope for the writers to aim a little higher than that.


OVERALL:

Despite some strong scenes featuring Picard and Jurati, Watcher ends up being my least favorite episode so far. Not just of the season, but of the series. Threads cut in and out of each other abruptly, creating a sense of choppiness, and there is no sense of connection. It doesn't help that two of the four threads are pretty bad to start with.

It does end with a pair of interesting reveals, though, which at least leaves me with hope that the next episode will go back to engaging me.


Overall Rating: 3/10. And only that high because of the Picard/Guinan and Jurati/Borg Queen scenes. Take those away, and I'm not sure the rest would even merit a "2."

Previous Episode: Assimilation
Next Episode: Fly Me to the Moon

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2-02. Penance.

Q transports Picard to an alternate reality in which he's a bloodthirsty, xenophobic conqueror.

Original Air Date: Mar. 10, 2022. Teleplay by: Akiva Goldsman, Terry Matalas, Christopher Monfette. Story by: Michael Chabon, Akiva Goldsman, Terry Matalas, Christopher Monfette. Directed by: Douglas Aarniokoski.


THE PLOT:

After activating the self-destruct on The Star Gazer, Jean-Luc Picard is dead. Or at least, he should be.

Instead, he is back at Chateau Picard, and he has company: Q (John DeLancie), who portentously announces that Picard is at "the very end of the road not taken." Q shows him around the chateau as it is now. Picard has robotic servants. The work is still being done by displaced Romulans - slaves taken during the human conquest of Romulus. "General Picard" has a trophy room with the skulls of his enemies, including Gul Dukat, Martok, and Sarek.

It is an alternate reality, one in which the Earth is governed by the warlike and xenophobic "Confederation." Q has transferred all of Picard's crew to this new reality. Seven is Earth's President; Raffi, a security chief; Elnor, a dissident; Rios, a starship captain; and Jurati... well, she's pretty much herself - save, as she notes, for an upgrade in torture devices.

Today is Eradication Day, a holiday celebrating humanity's supremacy through the execution of "dissidents, alien sympathizers, (and) terrorists." Among the condemned is a Borg Queen (Annie Wersching), who is able to sense the changes to the timeline. Under questioning, the queen reveals that this reality resulted from a single change to the past. Picard and company will need to go back in time to set things right - but first they will need to escape the watchful eyes of the Confederation!


CHARACTERS:

Picard: Q gives him a head start in grasping the type of reality he's now in, but he still gathers his composure and plays the part of his Fascist Universe Counterpart faster than any of the others manages. Then again, he has a bit of experience at finding himself suddenly living an unfamiliar life. He shows his leadership qualities as soon as he starts meeting the others, improvising quickly but authoritatively to keep Raffi and Elnor out of trouble, then focusing the group on what needs to be done to return to their own timeline.

Seven of Nine: When she wakes up in the Presidential bedroom without her Borg implants, she runs a series of quick sensory tests to make sure that what she's experiencing is real. She tests pain by burning herself, but the most convincing result is smell: "You can't smell in a dream." She recoils at the sight of the Borg Queen. When it becomes clear that they will need the Queen to help them, she is brutal in confronting her, almost gloating at the "pitiful end to the Great Borg Empire."

Dr. Jurati: Though her circumstances are the least changed, she does the worst job of fitting in. The way she stammers and babbles... Well, let's just say that if the Confederation Magistrate didn't already suspect something was "off," then he certainly did after meeting Jurati. She's more effective when actually working a scientific problem, taking down Confederation defenses so that Rios can beam them all safely away. Even then, she can't quite resist having what feels a lot like a marital dispute mid-crisis: "I would hang up on you right now if it wasn't going to get us all killed."

Raffi/Elnor: They make an entertaining duo, with Raffi playing the part of Elnor's captor. Her story about exactly what intelligence she's hoping to extract keeps changing just a little with each new guard she speaks to. At one point, she uses him as a distraction, allowing a couple of guards to beat him while she accesses their security - only to tell him, "Elnor, they're yours," once she has what she needs, at which point he takes great pleasure in demonstrating his martial skills.

Pompous Earth Bureaucrat of the Week: Jon Jon Briones, father of Sonji actress Isa Briones, is the Magistrate - Seven's husband in this reality. The marriage doesn't appear to be overly burdened by love or affection, and the "dear" he punctuates his sentences with sounds more artificial than anything the androids in the show have ever said. He's a weasel, and it isn't hard for either Seven or Picard to bully him into granting them privacy. That said, he does not appear to be stupid, and his facial expressions show that he senses something not quite right about his wife by the end of their first scene together.

Borg Queen: I'll allow that there are still a few Voyager Borg episodes that I haven't seen. Even so, this is the first time I can recall seeing a Borg Queen in a position of helplessness. Her people have been eradicated, leaving her isolated and alone - and as Seven's early Voyager appearances showed, "alone" isn't something Borg manage well. She is able to sense the timeline disturbances, however, recognizing Seven both as Borg and not and Picard as both "Locutus" and not.

Q: Picard wonders if he's unstable. To me, it looks like he's suppressing rage. He talks about how this world is a result of Picard and/or humanity's own choices. "Show them a world of their own making, and they ask what you've done." Picard, confronted with his counterpart's slaves, protests, "I would never" - and Q cuts him off, sneering at these words as "the luxury of the victors" before taking glee in showing off the alternate Picard's collection of gruesome trophies: the skulls of such adversaries as Martok, Sarek, and Gul Dukat. I bet Sisko wouldn't have minded adorning his office with the last of those...


THOUGHTS:

"You're welcome to remain here, in the body of a madman, in the world of a madman - to attempt, like Macbeth, to wash the blood from your hands. But I assure you, Jean-Luc, it's un-washable."
-Q demands penance from Picard.

After The Star Gazer set up the characters' new places, both professionally and emotionally, it falls to this episode to kick-start the plot. An alternate reality/time travel plot - which makes me a bit nervous. Alternate reality and time travel shenanigans can be fun, and Star Trek has delivered some corkers in both areas. But a full season? I worry that it will get... old.

My reservations about the season aside, Penance does its job well. This is an efficient script. The Picard/Q scene sets up the new universe while at the same time giving both Patrick Stewart and John DeLancie to show that time has not diminished their screen rapport. The next Act establishes the new existences of each of the crew. Then the meat of the episode centers around them having to keep up appearances while finding a way to escape from Eradication Day (which really should have been the title of the episode).


AN UNCREATIVE TIMELINE:

My biggest gripe is that the alternate timeline isn't particularly interesting.

Star Trek has shown plenty of alternate realities before, often with memorable results. Mirror, Mirror was a "pure evil" timeline, but there was still a sense of character relationships and power dynamics, and enough of a sense of a society for future books and spinoff series to revel in. Yesterday's Enterprise presented a changed reality in which all the regulars were recognizably themselves, but were altered by living in a militaristic environment.

Penance presents... "The Fascist Future." And there's really nothing more to it than that. The only thing I could truly tell you about this society is that its xenophobic. There aren't even any memorable guest characters. Seven's husband is the only one whose screen time goes beyond "walk-on," and he's pretty much your standard issue weasel. Aside from Picard himself, I had little sense of how the regulars' alternate timeline personalities differed from their regular ones. Never mind the actual alternate timelines I mentioned above: This episode's society feels less lived in than the deliberately over-the-top "fake history" of Voyager's Living Witness!

None of this makes the episode bad. It's well structured, it moves quickly, and it's never less than entertaining. I just wish its alternate reality had a bit more to it.


OVERALL:

Despite the generic setting, Penance does what it needs to do. It sets up the season arc while at the same time giving the characters an episode-specific situation to overcome. It even ends on a pretty decent cliffhanger.

I am worried that the overarching story seems to be focused on time travel and alternate universes, as such stories are usually best reserved for one or two-parters. On its own terms, though, Penance is... well, it's much like Picard itself. It was good, and I enjoyed it - but I couldn't help but feeling that with a bit more creativity, it could have been better.


Overall Rating: 7/10.

Previous Episode: The Star Gazer
Next Episode: Assimilation

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