Showing posts with label Lea Thompson. Show all posts
Showing posts with label Lea Thompson. Show all posts

Friday, December 29, 2023

2-04. Watcher.

Picard reunites with an old friend (Ito Aghayere).

Original Air Date: Mar. 24, 2022. Teleplay by: Juliana James, Jane Maggs. Story by: Travis Fickett, Juliana James. Directed by: Lea Thompson.


THE PLOT:

Dr. Jurati's connection with the Borg Queen was a success. She got coordinates to help Picard find the mysterious "Watcher," and she even has a date: the 15th, a mere three days from now.

With no way to contact the others, Picard beams directly to those coordinates. To his joy, this leads him directly to Guinan's bar! But the young Guinan (Ito Aghayere) is packing her things, having given up on humanity. She doesn't know who Picard is (for some reason), and he has to convince her that he can be trusted while at the same time trying to persuade her not to turn her back on Earth.

Meanwhile, Rios has been confined by Immigration and Customs Enforcement and is set to be deported. This leaves Seven and Raffi racing to rescue him - which somehow leads to them stealing a police car!


CHARACTERS:

Picard: "I know you're done with listening, but you are not done with humanity. Change always comes later than we think it should." Picard's idealism shines through in his interactions with the embittered young Guinan. He doesn't deny the legitimacy of her disappointment in humanity, but he pushes her to realize what she already knows: Better is possible, and it will eventually come. Patrick Stewart is particularly good here, helping these scenes to work better than much of the surrounding material.

Dr. Jurati: More than the rest of the crew, she recognizes that Picard - "the great man" - is just human, despite his synthetic body. At the dilapidated Chateau Picard, she recognizes that he's distracted and prods him back to the present. Despite (in part because of) her intelligence, she remains vulnerable. She tries to avoid engaging with the Borg Queen, but every complication brings her back - and her willingness to engage in verbal sparring seems all too likely to lead her into serious trouble.

Raffi/Seven: When Raffi is being overly hostile and aggressive to a desk officer at the police station, Seven pulls her back and smooths things out as best she can. Seven continues trying to be the Voice of Reason, right to the point at which they find themselves stealing a police car - at which point she starts driving with the care and precision of a teenager playing Grand Theft Auto. Wouldn't it have fit the two characters' emotional states better had Raffi been the driver, with Seven begging for her to slow down?

Capt. Rios: Santiago Cabrera, usually one of the cast standouts, gets lumbered with the weakest thread of a pretty weak episode. Rios ends up confined in the cleanest, least crowded immigration detention facility in history. When questioned by an ICE officer, he decides to tell the man the full truth, knowing that there's no chance that he'll be believed. He is outraged that Teresa Ramirez (Sol Rodriguez) was detained, proclaiming that where he came from, she would be considered a hero.

Guinan: I'm torn with regards to Ito Aghayere's Guinan. In terms of baseline acting of the role as written, she is quite good, infusing her lines with emotion and presence. If this was a new character, I would be singing her praises without hesitation. There's only one problem: There isn't a single second in which I believe that I'm watching Guinan. She's simply too brittle and human. I'm assuming that she'll appear again. I hope that when she does, she's able to capture a bit of the otherworldly quality that Whoopi Goldberg pulled off so well.

Borg Queen: She talks about her brief connection with Jurati as if discussing a one-night stand. When Picard leaves Jurati to hold the ship, it's an important task that only she can do; but the Queen wields this task as a weapon, sneering that Jurati has been left behind again. Then she tries to position herself as an admirer, telling her how impressed she is not only with her mind but with her ability to be "more cruel than (she) could have predicted." The Queen remains in a position of weakness, but she exploits every chance to gain even a little power. Annie Wersching makes the most of every line and glance, and her scenes are easily the best of the episode.


THOUGHTS:

This was the entertainment equivalent of whiplash, as Picard jerked from my favorite episode of this season to my least favorite of the series thus far.

As an episode, Watcher seems to exist purely to get the characters into position to do something in the next installment. Cutting between four different character strands, which in this episode only directly connect a couple of times, it also ends up being as choppy as it is transitional.

There really isn't much unifying these threads. A better script, tasked with the transitional issue, might have tried for some thematic focus. Take either Picard's urgings to Guinan that change is possible, or the longing for connection that keeps drawing Jurati back to the Borg Queen, and infuse the other threads with that. If there had been the sense of a single theme that ran through all the character interactions, then it might have worked.

But that doesn't happen. Instead, we just get a collection of scenes. The Picard scenes are good. The Jurati scenes are clever and suspenseful. The Seven scenes feel like they were pulled out of a bad '90s action/comedy. Worst are the Rios scenes, which attempt political commentary on the topic of immigration enforcement.

For the record, I have no issue with Star Trek tackling divisive issues head-on. TOS did so with racial unrestDS9 did so with homelessness; and I found both episodes to be effective. I do take issue, however, with the reduction of the complex and messy into the simplistic and sanitized. There seems to be only one other detainee in the entire center with Rios. There's also only one guard, who is portrayed as a sadist - but whose abuse never threatens to be anything to actually disturb home viewers. And no, nothing here is as bad as TNG's clunkiest efforts (I refer you to The Outcast or Force of Nature)... but I'd hope for the writers to aim a little higher than that.


OVERALL:

Despite some strong scenes featuring Picard and Jurati, Watcher ends up being my least favorite episode so far. Not just of the season, but of the series. Threads cut in and out of each other abruptly, creating a sense of choppiness, and there is no sense of connection. It doesn't help that two of the four threads are pretty bad to start with.

It does end with a pair of interesting reveals, though, which at least leaves me with hope that the next episode will go back to engaging me.


Overall Rating: 3/10. And only that high because of the Picard/Guinan and Jurati/Borg Queen scenes. Take those away, and I'm not sure the rest would even merit a "2."

Previous Episode: Assimilation
Next Episode: Fly Me to the Moon

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Friday, December 22, 2023

2-03. Assimiliation.

Raffi tends to a dying Elnor.
Raffi tends to a dying Elnor.

Original Air Date: Mar. 17, 2022. Written by: Kiley Rossetter, Christopher Monfette. Directed by: Lea Thompson.


THE PLOT:

Picard, his crew, and the Borg Queen beam to the alternate universe's version of La Sirena. Elnor is shot during the escape. Raffi tries to treat his wounds with the meager supplies in sickbay as the others complete the slingshot maneuver to go back to 2024. They reach their destination - but the ship loses power and, without sickbay's biobed to sustain him, Elnor dies.

The Borg Queen is unconscious, and the only clue they have is the Queen's words about a "watcher" in Los Angeles. Raffi, Seven, and Rios beam off the ship to search for non-human and/or non-contemporary signals. Picard and Jurati stay on board to attempt to revive the Queen to get answers. Given her current condition, Jurati can see only one way to repair the damage: to connect with the Queen, risking assimilation!


CHARACTERS:

Picard: He allows Raffi to rail against him, right up to the point that she compares him to Q, an accusation that he firmly rejects. Elnor was practically a surrogate son to him, so I have no doubt that his own grief dwarfs Raffi's current bitterness. Even so, he won't allow himself to feel it right now, when a mission affecting the entire future is at stake. He allows Jurati to meld with the Borg Queen for the same reason. He doesn't want to take such a risk with her life and consciousness - but there's no viable alternative.

Dr. Jurati: Demonstrates surprising authority when laying out the time travel rules for the Away Team: "No hospitals, no authorities, no security checkpoints. Anything that can scan you, it can find the ID implants... from a future that doesn't exist yet." She also doesn't allow Rios to take his weapon, pointing out the damage to the timeline if he were to lose it.

When she volunteers to be connected to the Borg Queen, she shows full faith in Picard to keep her safe. While her higher functions complete the repair, her subconcious talks to Picard and almost immediately reveals that she thinks of him as a father figure. She is afraid of the Queen... but she's also fascinated by her, to a degree that seems likely to be dangerous. Alison Pill is terrific, particularly in the melding scene as Jurati runs through a series of different emotions.

Elnor: Dies after being shot by one of the guards from the alternate timeline. Assuming that it sticks, I have to give points to the Picard creative team. Elnor dies an essentially pointless death, which was what the TNG staff were going for with Tasha Yar. This works much better than her death in Skin of Evil, thanks to the reactions of the others - particularly Raffi, who tries fruitlessly to save him and then spends the rest of the episode in a fury of activity (and fury in general) in response.

Raffi: She clings to the hope that fixing the timeline will result in Elnor's resurrection, filtering out Jurati's response that she doesn't know if that will happen. She is stricken after watching the death of this young man for whom she felt so protective. She lashes out Picard for taking time to save the Borg Queen while Elnor died, declaring her "sharp disappointment in (his) leadership."

Seven of Nine: Finally, for the first time in the series, gets some actual screen time with her love interest! It turns out that they do work together onscreen, though I will continue to insist that their relationship should have been allowed to develop rather than simply being plunked down as Established. Seven makes two attempts to comfort Raffi, first nonverbally and then by offering to talk. Both are rejected. She thinks fast when a 21st century security guard discovers her and Raffi where they aren't supposed to be, and she is astonished when this stranger actually seems to like her. Raffi is less than impressed.

Capt. Rios: Has the misfortune to beam into a, um, gravitationally untenable situation. He ends up with a concussion, and he is taken to a free clinic by well-meaning strangers. Santiago Cabrera gets some nice moments opposite Teresa Ramirez (Sol Rodriguez), a pretty young doctor with a precocious son. His scenes with these two allow him to show a softer side to Rios's character.

Hot Human Earth Doctor of the Week: Teresa seems a bit too idealized. She treats her patients for free, she's observant enough of her young son to keep tabs on his activities even in the midst of a very demanding job, and she's courageous in dealing with the authorities. Should we canonize her now or wait to see how the statue turns out? Fortunately, actress Sol Rodriguez injects an appealing amount of skepticism and humor into her scenes with Rios, which goes a long way toward making Teresa likeable. That said, I really hope the character gets a few flaws or at least blind spots before the season's end.

Borg Queen: During the escape, she assimilates with the ship. She so quickly disposes of their pursuers that I found myself wondering exactly how the alternate universe fascists managed to defeat her in the first place. When Jurati connects to heal her, the Queen probes around her subconscious, manipulating her emotions to try to gain control. Though she's still in a position of physical weakness, her final lines make clear that she is very much a threat.

Q: Is only seen for a few seconds, but those seconds are interesting, as he insists to Picard that "this is the only kind of life you understand" even as the enemy ships take damage. This not only echoes Q's statements from the last episode; it also recalls his very first appearance in Encounter at Farpoint, in which he put humanity on trial for being "a dangerous, savage child race." In Farpoint, as in most of TNG, he was just smug. Now that smugness seems like a thin veneer covering layers of disappointment. At this point, I have no idea what's motivating it - but I don't think he's just "playing games," and I certainly don't think he's insane.


THOUGHTS:

This episode was directed by Lea Thompson. Yes, the 1980s actress who is probably best known for Back to the Future. That seems appropriate, given this episode's focus on time travel. There's even a fair amount of humor, from Rios's catastrophic pratfall to a child mistaking Seven for a superhero. Not to mention Seven's and Raffi's banter in the scene with the security guard.

Given how grim the first half of the episode is, the humor in the back half is extremely welcome. It's also pitched at the right level, providing the viewer a bit of relief without distracting from the emotions Raffi is feeling or the ones that Picard isn't letting himself feel.

One area in which Season Two is excelling so far is in its use of the ensemble. Each of the regulars receives one or two good scenes. The emotional focus is on Raffi, while the story focus remains with Picard, Jurati, and the Borg Queen. But the script also shows Seven's strange sense of comfort with this new setting, and it gives Rios some choice scenes at the clinic. Even Elnor is well-used despite minimal screen time, with his death impacting the others and his last words to Raffi perfectly judged.

The standout moment of the episode is Jurati connecting with the Borg Queen. The lighting is dim and tinged with green, infusing a sense of the mechanical. As the Queen probes Jurati's emotions, she snarls in anger - but she only seems on the verge of truly losing herself when the Queen explores her sadness.

All three actors are superb here, and the scene is well staged and well shot. The camera slowly creeps in on Picard and Jurati at the start, sitting opposite each other with the Queen looming over them in the background. Close-ups of Jurati show her pale skin washed out by the Queen's mechanical green light. Then Jurati speaks through the Queen while the Queen speaks through Jurati, a suitably eerie moment. It ends with a great little button from Jurati - a moment of victory here... but judging from the Queen's reaction, one that will have consequences.


OVERALL:

Assimilation is my favorite episode of the season so far. It balances multiple elements and shifts in tone: action, strong emotion, comedy, and even a moment of horror. It skips between these tones seemingly without effort, and I never felt jarred by any of the transitions.

I'm still skeptical about centering an entire season around a time travel story. Still, with its several fine character moments and excellent use of the ensemble, this episode on its own terms was a joy to watch.


Overall Rating: 9/10.

Previous Episode: Penance
Next Episode: Watcher

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