Showing posts with label Sean Tretta. Show all posts
Showing posts with label Sean Tretta. Show all posts

Friday, January 31, 2025

3-09. Võx.

An old enemy lies behind the mysterious red door in Jack's subconscious...
An old enemy lies behind the mysterious red door in Jack's subconscious...

Original Air Date: Apr. 13, 2023. Written by: Sean Tretta, Kiley Rossetter. Directed by: Terry Matalas.


THE PLOT:

With the Frontier Day celebration about to begin, and still with little idea what the changelings are planning or why they are pursuing Jack, Deanna uses her abilities to try to guide the young man into opening the red door that lies in his subconscious. She is able to prod Jack into opening the door - and is shocked to discover the Borg waiting on the other side!

When the Borg assimilated Picard and turned him into Locutus, they also rewrote his DNA. This is the source of Jack's abilities. He is a Borg "transmitter," able to seize control of assimilated or partially assimilated Borg. Jack responds to the news by fleeing, stealing a shuttle and taking off for an unknown area of space.

Picard does not have the luxury of following. If Jack's abilities were Borg, then how was he able to take control of members of the Titan crew? The answer lies in the theft of Picard's original remains from Daystrom - and in the transporters the changelings have been using throughout Starfleet.

Picard and his crew rush back toward Earth. It may already be too late to stop a disaster, however. Thanks to the changeling infiltrators, the Borg assimilation of Starfleet has already begun - without anyone even noticing it...


CHARACTERS:

Picard: "It's my responsibility. I'm the cause. It's my fault." Picard already felt guilt at Jack inheriting his Irumodic Syndrome, which is only worsened when he discovers that what Jack inherited was actually a link to the Borg Collective. The scars of his own assimilation affect his attempt to talk to Jack. His usual compassion is blunted by his memories of being forced to do the Borg's bidding. He prioritizes the need for precautions over clear explanations, which only pushes Jack to flee that much faster than he otherwise might have.

Deanna: The instant she sees the Borg in Jack's mind, she leaves, locking him in sickbay as she runs to tell the others what she's found. This is the right thing to do; for all she knows, telling Jack might activate some dormant program. However, it also makes a lie out of her promise that whatever's behind that red door, he won't be left to face it alone - adding an extra dollop of betrayal onto the young man's fear.

Jack Crusher: It's hardly surprising Jack is thrown into turmoil. Within a short time frame, he's had his existence turned upside down: he's been hunted, he's been told that he has Irumodic Syndrome, he's discovered that he has impossible abilities, he's had Vadic dangle the prospect of answers in front of him, and now he learns that he's a product of the Borg's assimilation of his father. There's basically been no rest for him to come to terms with anything. The action that he settles on is rash and ill-advised... but given his week, I'd have been surprised if he had been in a fit state to stop, think, and listen at this point.

Capt. Shaw: After realizing the Borg connection, Picard orders the ship to Earth. This prompts Shaw, in his role as the Designated Realist, to point out that everyone who is hunting them will be there. But when Picard tells him that this is their only option, he no longer argues. Instead, he lets out a resigned sigh - "Of course it is." - and gives the order. Over the course of the season, he's gone from an adversary to a proper member of Picard's crew, albeit one who doesn't hesitate to point out uncomfortable realities. He also is once again paired with Seven, finally showing her the respect of calling her the name she identifies with.


FAN SERVICE, IN THE BEST WAY:

One area in which I've generally been impressed by Star Trek: Picard is in its careful balance of fan service against being its own show. From the beginning, Picard has done a fine job of using nostalgia just enough to enhance without allowing it to overwhelm the story. There have certainly been occasions that I've found the stories themselves a bit lacking (Season Two), but the use of past elements has largely shown restraint and careful judgment.

I think that might be one reason why the final ten minutes of this episode works so well. For the first time, in the closing Act of its penultimate episode, Picard leans fully into fanservice. I watched Encounter at Farpoint back in 1987. I was one of the kids in the schoolyard dismissing TNG as "fake Star Trek" and "diet Star Trek," and I watched as it slowly transformed into a cultural touchstone in its own right. I have a hard time believing that too many fans of my generation weren't at least somewhat moved by this episode's closing minutes.

Yes, it's blatant fanservice. But as a fan, I felt well-served - and I think it lands just right because the series has been cautious in its reliance on fanservice elements up to this point. In short, by the time Picard finally goes full fanservice, it's earned the privilege.


OTHER MUSINGS:

"So how much of me is me?"
-Jack Crusher asks the season's key question. As of yet, it goes unanswered.

Questions of identity and inheritance have pervaded the season. Picard, Jack, and Beverly have all grappled with what traits Jack inherited. Picard keeps defaulting to seeing his worst traits in Jack: his stubbornness, his willfulness, more than a hint of his youthful arrogance. But Jack has also displayed courage, quick thinking, and even selflessness on multiple occasions - which is to say, some of Picard's best characteristics.

Throughout the season, the characters have talked about Jack almost as an extension of Picard, though. Riker marvels at the similarities he sees between them. Picard worries about the traits he's left the young man. Jack has worried about the same, from the Irumodic Syndrome to this episode's revelation of inherited Borg influence. At every turn, the characters seem to ignore what Geordi and Sidney acknowledged about each other back in The Bounty - that whatever was passed on, Jack, like Sidney, is also his own person.

Jack ends this episode by coming face to face with the Borg Queen (Alice Krige), who also sees him not as himself but rather as an extension of her will. I am hoping that the finale will actually come back to the thread of Jack's own identity, however, to answer the question quoted above: Beyond what he inherited from Picard, from Dr. Crusher, from the Borg, who is he? Given how much of the season has circled around that question, I'll feel a bit churlish if Jack as himself isn't important.

Beyond that, Võx is a solid episode. This is another installment that's mostly there to put the characters in place for the finale, so I suspect more detailed thoughts will wait until the finale. I will say that the nature of the Borg assimilation is rather clever. The mechanism is unique, but it also makes sense given the way the Borg have previously been shown to work.


OVERALL:

I have a few worries about the Borg revelation. Picard has spent the entire season building up the threat of a changeling infiltration. The bait and switch with the Borg has the potential to be interesting... but it also runs the risk of making the changelings, up until now the season's villains, into irrelevance.

I will hope that the finale manages to pull all the threads together.


Overall Rating: 7/10.

Previous Episode: Surrender
Next Episode: The Last Generation

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Friday, December 13, 2024

3-04. No-Win Scenario.

Capt. Vadic receives her orders.
Capt. Vadic receives her orders.

Original Air Date: Mar. 9, 2023. Written by: Terry Matalas, Sean Tretta. Directed by: Jonathan Frakes.


THE PLOT:

The Titan is dead in space, sinking into the nebula and ever closer to its lethal "gravity well." The bridge crew desperately reroutes power to keep life support functional, but Riker knows that all they're doing is buying a few extra hours of life.

Picard uses that time to try to get to know Jack, if only just a little bit. Riker starts to compose a message to Deanna; but he can't find the words and leaves it unfinished. Meanwhile, Seven reluctantly turns to Capt. Shaw for help in tracking the changeling infiltrator - something they both know may not even matter as the ship keeps being rocked by the energy waves emitted from the center of the nebula.

In sick bay, Dr. Crusher notices a pattern in those waves - a pattern that just might give them a chance to escape!


CHARACTERS:

Picard: The episode has a tried-but-true frame device: Picard, at the bar Ten-Forward, is approached by eager young Starfleet recruits while sitting down to eat lunch. He's initially caught off guard at these young people turning to him for stories or advice, but he soon enjoys holding court as he shares his experiences and what they've taught him. A direct parallel to this is his attempt to bond with Jack, in a holodeck recreation of Ten-Forward, with him even sharing the same story of being caught in a (rather plot convenient) hopeless situation with the young man's namesake, Jack Crusher. When Jack asks about the name, Picard states that he would have selected the same name.

Riker: He chooses not to reinstate Seven because her current status puts her in a better position to quietly investigate the changeling. He emphasizes that the changeling's presence needs to be kept secret for the sake of the crew's already dwindling morale. The loss of his son hangs heavy on him. He recalls his son's burial, how immense the six feet into which the coffin was lowered seemed, and he urges Picard to spend the little time they have remaining getting to know Jack.

Seven of Nine: Being stripped of her rank leaves her free to show her disdain for Shaw - something he perversely responds quite well to. She doesn't like confiding in him, but he knows the ship and crew better than anyone else. His advice proves to be spot-on, and their interactions throughout the episode are enormously entertaining.

Dr. Crusher: She spends most of the episode as the designated "problem solver," counting the gaps between energy waves and figuring out the pattern. When Picard and Jack try to convince Riker of their plan, she ends up being the most persuasive voice, reminding him of the things they accomplished in the past by trusting each other.

Jack Crusher: He insists that he doesn't need to share time with Picard, but he goes along with it. He observes of the Ten-Forward holoprogram: "This fake place is as good as any to die in." For all his protests, he seems to genuinely enjoy listening to Picard describe his youthful misadventure with his namesake, and he becomes aggrieved when Capt. Shaw reminds them of Picard's past as "Locutus," with Picard having to stop Jack from responding. He and Picard work well together during the escape, with Picard trusting in Jack's instincts at a critical moment.

Ensign LaForge: Geordi's daughter, Sidney LaForge (Ashlei Sharpe Chestnut) is the Titan's helm officer. I haven't mentioned her before because she's mostly been in the background, but both character and actress have worked well all season. She gets a bit more screen time here, playing a major role in the ship's escape and also being an important (if unwitting) part of Seven's search for the changeling.

Capt. Shaw: After a very bad start, Shaw has slowly climbed the ranks of my favorite characters this season. His interactions with Seven are fun, and I love how openly amused he is by her labeling him "a dick." His best scene comes in Ten-Forward, however, when he interrupts Picard's nostalgic tales by telling the memory that haunts him the most - of being a survivor of Wolf 359. Shaw's story is well-written, and actor Todd Stashwick sells every bit of it as he stares off into space, seemingly reliving the events as he flatly narrates them.


THOUGHTS:

"No matter how bleak or unwinnable a situation, as long as you and your crew remain steadfast in your dedication, one to another, you are never, ever without hope."
-Picard, in happier times, holds court to a group of Starfleet cadets.

No-Win Scenario is the first episode of Picard that I would label as excellent with not a single qualifier. Its script is expertly judged, balancing great character scenes with major plot advancement. The cast rises to meet the writing quality with uniformly strong performances, including Patrick Stewart's best work so far this season.

There are no wasted scenes and no "spare" characters. Unanswered questions remain for the rest of the season, but there really isn't anything here that exists purely to set up the next installment. Everything that exists in this episode is used by this episode.

A major strength is that the script remains focused on the Titan. There are no cutaways to the Worf/Raffi subplot. Save for a couple brief scenes with Vadic, which are part and parcel of this story, we spend the entire episode on the damaged ship.

The first half is dedicated to character scenes. Picard is nostalgic and occasionally humorous as he recalls his misadventures to Jack. A funereal atmosphere hangs over their interactions, with both men aware that they are likely to die soon. Riker attempts to compose a message to Deanna, only to abandon it when he can't find the words. Both of these scenes are kept generally low-key, with both script and direction choosing just one character reflection - Shaw's memory of Wolf 359 - to go all-in on. It's a good choice, with the Wolf 359 scene the highest point in an episode filled with summits.

The latter half shifts to the escape, which is also well scripted. Every character gets something to do. Dr. Crusher makes the major observation that leads to the plan and persuades Riker. Jack suggests the general course of action. Picard and Riker direct the escape, while Ensign LaForge steers the ship. Meanwhile, Seven and Shaw work together, first in the changeling hunt and then in helping with the escape. It all ends up fitting together, the different threads strengthening each other rather than competing for attention.

If it stopped there, No-Win Scenario would already be an excellent episode. The tag scenes take it just a bit further. Picard's frame ends as he makes a sudden realization, with words from his past - which have been encouraging him all episode - suddenly returning to haunt him. Then Riker's message to Deanna gets completed in a way that's entirely satisfying, while also reminding us of the many open threads.

Oh, and one more strength of this episode, one that is promising for the rest of the season: It has a real ending! The big questions remain open. We don't know what the changelings are planning, or why they are interested in Jack, nor do we know Vadic's full role - active participant or mere hired gun. But instead of dragging the Titan/Shrike standoff across ten episodes, that situation ends, with the loose threads carrying over to whatever the next Act will be. This seems likely to avoid a repeat of Season Two's midseason pacing issues.


OVERALL:

No-Win Scenario is the best episode of Picard to date. Every character is utilized. Every scene advances either the characterizations or the plot. The ending even makes use of what seemed to be a simple frame device in a way that grants additional meaning.

The end result is the first Star Trek: Picard episode to earn full marks from me. My hopes are now raised that this final season will actually end up being a worthy sendoff.


Overall Rating: 10/10.

Previous Episode: Seventeen Seconds
Next Episode: Imposters

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Friday, November 29, 2024

3-02. Disengage.

Picard meets his adversary: grinning, soft-spoken Capt. Vadic (Amanda Plummer).
Picard meets his adversary: grinning, soft-spoken Capt. Vadic (Amanda Plummer).

Original Air Date: Feb. 23, 2023. Written by: Christopher Monfette, Sean Tretta. Directed by: Douglas Aarniokoski.


THE PLOT:

Picard and Riker have found Beverly - unconscious, being kept alive inside a medical pod overseen by the only other person on the ship: Jack Crusher (Ed Speleers), her twenty-year-old son (who doesn't look a day over thirty). Jack tells them that they've been dodging their pursuers for two weeks. He denies any knowledge of who is chasing them or what they might want.

One thing is clear: The Crushers' small ship lacks the resources to fend off the enemy. They are saved only by the intervention of the Titan, with Capt. Shaw coming to their rescue against his better instincts.

After Shaw beams them aboard the starship, he receives a transmission that puts a face to their adversary: the genial, smiling Capt. Vadic (Amanda Plummer). Vadic claims to be a bounty hunter, informing them that Jack Crusher is a wanted criminal.

The Titan had to cross out of Federation space to rescue Picard, and the nebula Jack and Beverly were hiding in has made it impossible to simply call Starfleet for reinforcements. In addition, Vadic's weaponry is such that she's basically flying a single-ship armada. She gives Picard and Shaw one hour to either surrender Jack Crusher or be destroyed!


CHARACTERS:

Picard: He's clever enough to recognize that Jack is the enemy's target. He plants transport inhibitors that save the young man... but he also forgets to deactivate them when the Titan comes to the rescue. He's in a position of weakness with Capt. Shaw, who is determined to be as unimpressed with him as possible. Still, he feigns being in charge to both Jack and Vadic. In the end, he comes up with a tactic to shake Vadic, one which Shaw goes along with - but it feels less like a victory than like something that just buys the Titan a little more time.

Riker: He gets a less robust role in this episode, mainly just acting as Picard's support. He does recognize the stalemate between Picard and Shaw, however, and he knows that something has to be done to break it. This leads him to take decisive action near the end.

Seven of Nine: When Shaw stops her from immediately flying to Picard's rescue, the bridge crew seems startled by this. Seven shifts tactics at this point, pointing out to Shaw that if he insists on following regulations to the letter, he'll be remembered as the man who let Picard and Riker die - an approach that proves effective in getting his attention.

Raffi: Still stuck in subplot-land, with her instincts unable to let her accept her handler's simple answer to the terrorist attack. She disobeys an order to "disengage" and instead follows a lead to Sneed (Aaron Stanford), a Ferengi crime lord. All of this is... fine. But the only moment in this strand that catches my eye is the very last part of her last scene. Outside of that, Raffi's strand is the least engaging part of the episode. Again.

Jack Crusher: After only appearing briefly in the premiere, Ed Speleers' Jack gets a much larger slice of the action. We open on him talking his way through an interaction with a Fenris Ranger (Robert G. Morgan) two weeks earlier. He seems to have the situation in hand... until the Ranger sends word to "the Marked Woman," and we realize that this kicked off the current chase. Jack has the manner of a con artist, but he's not unlikable, and Speleers does well with his expanded role. But why insist on him being twenty? The timeline would still line up if he was thirty, and... Sorry, Speleers looks great and all, but it's obvious that he's older than that.

Vadic: This episode gives the enemy a face: Amanda Plummer as Capt. Vadic. She speaks in a soft, somewhat exaggerated Southern drawl, seeming like she's almost settling in for a chat with Picard and Shaw even as she threatens them with destruction. Based on this appearance, I'm not yet sure whether she's going to end up being great or annoying. She works well enough here, but I hope she receives some more varied notes in later episodes.

Capt. Shaw: His characterization is vastly improved from the first episode. The thing is, Shaw isn't actually wrong about anything. Every one of his direct responses and objections to this situation, and to Picard and Seven having forced him into it, are valid. He's still pointlessly antagonistic, but the dial on that has mercifully been turned down a bit. He knows to present a unified front with Picard when talking to Vadic; and when Picard gives his final (predictable) reason for wanting to protect Jack, he stops arguing and gives in.


THOUGHTS:

I promise I'm not going to complain about this in every Season Three review, but I really don't like the visual look of this season. I don't like how dark the screen is, and I don't care for the heavy color grading in some scenes. I understand that the showrunners are trying to create a tense, oppressive mood... but it's overaggressive, and some touches (notably the direct visual references to Blade Runner in the Raffi subplot) feel hackneyed.

That aside, Disengage is a decent second episode. It benefits from improved characterization for Shaw, who's still an antagonist but who isn't actually in the wrong. In the premiere, he was a one-note pompous bureaucrat; in this episode, he actually works, mainly because the writers cut back on the pointless belligerence and make sure that we understand his perspective.

There's some tension inherent in the ticking clock of Vadic's deadline, which is enhanced by the unanswered question as to how trustworthy or not Jack might actually be. There's no question that Vadic is a villain, but she doesn't come across as someone who does things for no reason. This leaves open the question of how Jack managed to provoke this pursuit.

The episode does suffer from a common problem with streaming series: Its role is mainly to connect the first episode with the next, and it isn't even remotely a complete unit in itself. It remains entertaining throughout, though. This season doesn't have me fully on board yet - but I am feeling hopeful that it might as it goes along.


OVERALL:

Since Disengage comes across mainly as connective tissue, it's hard for me to fully judge it in its own right. It does its job. It builds up the story, adding complications while introducing new characters and new elements. Judged by itself, though, I don't think it's particularly better than OK.

At the same time, it's definitely no worse than OK - and by adding some layers to Shaw while giving several good moments to the more established characters, it raises hopes for the rest of the season to build on it.


Overall Rating: 6/10.

Previous Episode: The Next Generation
Next Episode: Seventeen Seconds

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