3-10. The Last Generation.

Picard and the Enterprise save the Earth one last time.

Original Air Date: Apr. 20, 2023. Written by: Terry Matalas. Directed by: Terry Matalas.


THE PLOT:

The Borg have taken control of Starfleet!

With Jack in the Borg Queen (Alice Krige)'s clutches and acting as a transmitter, the Borg have remotely assimilated every Starfleet officer under age 25, granting them total control over all the starships assembled for Frontier Day. Earth's Spacedock is managing to hold off the assault, but Riker grimly observes that their defenses won't last long.

Seven and Raffi retake the Titan, using the ship's cloaking device to evade the Borg signal. Seven launches a series of sudden, short attacks on the assimilated starships to buy additional time. Meanwhile, Picard and his team take the reconstructed Enterprise D to the Borg Cube to confront the Queen directly. For Picard, it's a last chance to face his greatest enemy - and to rescue his son.


CHARACTERS:

Picard: It's clear that he doesn't expect to come back. The first half of the episode sees him making a series of farewells - to his old crew, to Riker specifically, and to Beverly. He not only forgives Beverly for keeping Jack's existence a secret, he acknowledges her choice in prioritizing the protection of their son: "You thought of Jack from the beginning, shielding him from danger. You did everything right." He faces his greatest fear - reassimilation by the Borg - in order to connect with his son. But first he directly gives Riker command of the mission: "I can no longer be your captain. I now have to be a father."

Riker: He is instantly nervous when they beam to the Borg Cube and discover no drones waiting for them. He observes that in all his years, he never had a "too quiet" moment that turned out well. As a father himself, he understands Picard's priorities completely. When the Enterprise tells him that time is growing short and that the ship will have to take action, Riker refuses to beam out without Picard, even knowing that this decision might mean his death.

Worf: "There was a moment today where I was worried we might actually survive." Worf has been awesome all season, and that carries through to the finale. He doesn't hesitate to join Picard and Riker in beaming to the Cube, even though he seems fatalistically resigned to their likely fate. He also acknowledges his friendship with Raffi with a particularly well-judged gift.

Data: Admits that he is having some trouble adjusting to having full emotions. Not, thankfully, in the manner of Star Trek: Generations' annoying "emotion chip" subplot, but rather in the way ordinary people sometimes struggle with strong emotions: an image that evokes nostalgia, such as a crew member petting a cat, or a strong feeling of hatred for the Borg over the misery they cause. This is generally well written, getting just enough attention to convince as part of Data's journey without being allowed to distract from the main plot.

Seven of Nine: The script wisely focuses on the TNG crew, splitting Seven and Raffi off in their own subplot on the Titan. Seven improvises like mad to disrupt the Borg plan as much as she can with the limited resources available. She is left with a very small crew that includes a nervous cook with some past piloting experience. She deals well with this, encouraging the man without coddling him. The implications of a modification she and Raffi make to their phasers is something that I'd love to see future Trek projects address, by the way.

Jack Crusher: It's made clear why his capture was so essential to the villains, as the Borg need him to transmit their assimilation signal. This does mostly make him more a plot device than a character in this episode: the mechanism of the Borg plan and the object of Picard's attempted rescue. Still, he gets a decent character moment within the Collective, where he finds the sense of belonging that's always eluded him - which is what Picard has to argue and urge against when he connects with him near the end.

Others: This season has a large ensemble, and it's inevitable that some characters will be moved to the background. To writer Terry Matalas's credit, every regular gets at least one moment. Geordi is left in command of the Enterprise, and he trusts Data with a near-impossible task. Dr. Crusher shows remarkable competence at tactical, surprising the others; as she explains, she hasn't exactly been idle over the last twenty years, which have involved a lot of running from various adversaries. Deanna's strong connection to Riker plays a critical role at the end. Meanwhile, on the Titan, Raffi provides unwavering support to Seven - though her best character scene comes opposite Worf. None of them are the focus of the episode, but they all get a moment or two to shine.


THOUGHTS:

Season Three of Picard has revolved, in large part, around themes of family and connection. The Last Generation does an excellent job of folding these into both the story and its resolution. Picard and Jack have awkwardly attempted to connect as father and son all season. By contrast, Jack's assimilation by the Borg sees him feeling an instant and effortless connection, one that Picard attempts to persuade him is illusory.

The Borg Queen describes the Cube as Picard's "true family." Picard reaches Jack through sacrifice: surrendering his command to "be a father" and facing his greatest fear in order to reach him. Deanna's link to Riker (her family) plays a major role in the climax. Even the epilogue carries the theme through, from Raffi's reconciliation with her son to the final scene of the old TNG crew sitting down for a hand of poker as the credits roll.

While I find myself somewhat missing the standalone storytelling of older Trek series, a well-paced season arc offers a big advantage: If previous episodes have done their jobs properly, the finale can hit the ground running. Previous episodes of this season established the overall relationships, as well as the situation and the stakes. That leaves this episode free to zip right into the action. The threads are quickly established: Seven on the Titan, trying to delay the Borg attack; Picard, Riker, and Worf on the Borg Cube; and the Enterprise crew. The episode moves quickly, with plenty of action and incident, but it never feels rushed or overstuffed. As a result, in addition to thematic unity, The Last Generation benefits from being extremely enjoyable to watch.

Complaints are relatively minor. The Seven/Raffi strand feels a bit disconnected from the rest of the episode; it would not be difficult to rewrite this script to remove them entirely. The worry I expressed in the previous review, that the Borg would render the previous changeling threat into an afterthought, ends up being fully realized. Exposition tells us that the changelings were important to the Borg plan. Still, after previous episodes made the changeling infiltration all encompassing, leaving Picard and his crew with nowhere to turn for help, in this episode the changelings are suddenly unmentioned and irrelevant. I could charitably posit that, after the failure of the plan, the infiltrators decided to pull out and wait for another opportunity... but it does feel as if the changelings went from practically omnipotent in previous episodes to borderline irrelevant at the end.


OVERALL:

Despite my gripe about the treatment of the changelings, this was an overall excellent finale. It uses themes established throughout the season in a way that connects both to the overall threat and to the characters. It finds important things for every character to do. It also moves fast and is highly enjoayble to watch.

I'll put more thoughts together about the season as a whole for my season overview. Ultimately, though, Picard's best season ends on a strong note. It's not quite the season's best episode - but it's a good episode, and a worthy finale.


Overall Rating: 8/10.

Previous Episode: Võx

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3-06. The Bounty.

Geordi (LeVar Burton) is wary about helping Picard.

Original Air Date: Mar. 23, 2023. Written by: Christopher Monfette. Directed by: Dan Liu.


THE PLOT:

After picking up Worf and Raffi, Picard directs the Titan to Daystrom Station, the source of the theft that kicked off the changelings' plan. They know that the portal gun was stolen from there... but they also know that something else was taken, and they need to get a look at the manifest to determine what that was.

Riker, Worf, and Raffi beam over, but Starfleet patrols force the Titan to flee. They go to the Fleet Museum at Athan Prime, which is overseen by Picard's old friend, Geordi LaForge. Picard is hoping for help in rescuing his Away Team before they are discovered. Geordi is sympathetic, but he draws the line at putting his family in danger... much to the annoyance of his daughter Sidney, the Titan's navigator, who hatches her own plan with the help of Jack Crusher.

At Daystrom, Riker, Worf, and Raffi evade a complex AI that is controlled by an old adversary - one that has a particular song stuck in its head...


CHARACTERS:

Picard: Dr. Crusher lets him know that Jack has inherited Irumodic Syndrome from him, which sets him to reflecting about how parents cannot choose which parts of them find their way into their children. This makes him more receptive to Geordi's worries about Sidney than he otherwise might have been, and so he doesn't argue when his former chief engineer hesitates to offer direct aid. There's an amusing moment when the plan hatched by Jack and Sidney comes to light. Picard initially starts denying that he has deceived Geordi, only for both men to realize in the same instant that their respective children are responsible.

Riker: There's a callback to Encounter at Farpoint when Riker recognizes the song their AI adversary is wrestling with. I'm sure some complained about the scene invoking nostalgia, complete with archive footage of Farpoint pasted in. In my opinion, it's actually a good scene. Nostalgia is not a bad thing in itself; it's only bad when the only purpose served is nostalgia for its own sake. The moment in question builds mystery before advancing the story, the song paving the way to a major reveal. It also allows Riker to show his cleverness.

Worf: When he observes the awkward reunion of Seven and Raffi, he starts to speak philosophically about the "therapeutic" value he found in completing missions with lovers. Seven interrupts, telling him that she's not going, at which point Worf drops the act and admits: "That is a relief." Michael Dorn's delivery makes this simple line extremely funny. When Riker teases him about recoiling from a tribble, he grouses about the other man still "finding humor in other people's discomfort." I like this brief glimpse at attributes of Riker that he doesn't much like, particularly since it remains clear that he absolutely respects him in spite of that.

Raffi: I had hoped her dialogue in the premiere about breaking up with Seven (again) was just part of her cover. After all, Season Two spent a fair chunk of its running time making them work as a couple, so it would have seemed odd to just discard all that. In addition, I think there would be value in showing the otherwise ridiculously baggage-laden Raffi in an easygoing and healthy relationship. No such luck. So here's my new wish: Just keep them broken up, please. I don't dislike Raffi, and I think Michelle Hurd is good in the role. But I grew weary of the character's seemingly infinite stores of "drama" a while ago.

Jack Crusher: His hallucinations from the last episode are explained away as the medical condition he inherited from Picard. It's a handwave, and I seriously doubt this thread is over with. Still, it allows actor Ed Speleers to give a more relaxed performance. I rather enjoyed the scenes featuring him plotting (and flirting) with Sidney LaForge, and he and Ashlei Sharpe Chestnut make for a cute screen couple.

Sidney LaForge: She has slowly emerged from the background to become an engaging character in her own right. She's charmed by Jack, something that Geordi doesn't much appreciate. She also chafes at her father's overprotectiveness. There's some strain in their relationship because she became a navigator instead of an engineer. As she tells her father: "You built amazing things... I just wanted to fly them."

Geordi: LeVar Burton makes a welcome return. He plays Geordi's dilemma well. He doesn't doubt Picard for an instant, and old instincts cry out for him to help. At the same time, he has a family to protect, and he sees that as his primary responsibility. When circumstances change, however, he doesn't hesitate to jump in with his expertise.


THOUGHTS:

The Bounty is a good episode. It advances the overall plot. It features two threads, both of which work: The infiltration of Daystrom and Picard's efforts to seek help from Geordi. These two plots are well connected. Picard goes to Geordi because he was forced to leave Riker's team on Daystrom, and he hopes his old friend will help him rescue them.

The Away Team plot also lends urgency to the Picard/Geordi scenes. The script has already established that Riker, Worf, and Raffi have a limited window before they're detected. Picard needs to get back to them, both to rescue them and to find out answers, so a ticking clock runs through the episode. The Jack/Sidney scenes are fun on their own, but they also mesh with the larger situation. At the same time, Geordi's strained relationship with Sidney and Picard's worries about Jack allow for a certain thematic unity, with two fathers both concerned about the ways they have and haven't influenced their children.

Though I enjoyed this, I do think it's a step down from the previous three episodes. There's a fakeout with an old adversary, but it doesn't end up coming to much. This figure appears just long enough to evoke some nostalgia and for his presence to cover up the big reveal. I would have liked a little more, and the lack of that feels like a missed opportunity.

That's made up for by the big reveal, which is handled well. Complications are set up for the next episodes, but it never feels as if those complications are the whole point. Contrast with Season Two, in which multiple episodes seemed to exist only to set up the following installment. Thus far, almost every episode of Season Three has worked as its own entity, even while setting up future events, which makes the viewing of the individual pieces a lot more satisfying.


OVERALL:

The Bounty is another good episode in what's shaping up to be easily Picard's best season. It's not quite up to the standard set by the last few shows - but it's still entertaining, with a number of good character moments.


Overall Rating: 7/10.

Previous Episode: Imposters
Next Episode: Dominion

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3-05. Imposters.

Picard is interrogated by Ro Laren (Michelle Forbes).

Original Air Date: Mar. 16, 2023. Written by: Cindy Appel, Chris Derrick. Directed by: Dan Liu.


THE PLOT:

The Titan is safely back in Federation space, away from Capt. Vadic and the Shrike. But Picard and Riker now face an inquiry by Starfleet security. The USS Intrepid meets the Titan and orders all but a skeleton crew be transported over for reassignment during the investigation. The officer in charge is none other than Ro Laren (Michelle Forbes), the Bajoran officer who betrayed Picard to the Maquis decades earlier - and Ro seems to be harboring a personal grudge.

Meanwhile, Worf and Raffi are denied access to Daystrom Station, leaving them to find another way to look into the theft of Starfleet weaponry and its connection to the changelings. Since Worf was forced to kill Sneed, the Ferengi gangster, in order to save Raffi's life, they seem to be at a dead end. But Worf knows of another potential information source: Krinn (Kirk Acevedo), a Vulcan crime lord who was an associate of Sneed's. Krinn is far more clever and dangerous than Sneed, however, and getting to him may require a sacrifice Raffi isn't willing to make...


CHARACTERS:

Picard: He's incensed that Ro has the temerity - let alone the position - to question him. Even thirty years later, he feels personally betrayed that she chose the Maquis over Starfleet, and he wastes no time in turning her interrogation of him around on her. He also wonders if she might be a changeling, particularly given that "Commander Ro" isn't wearing her Bajoran earring.

Riker: He was never close to Ro, so her past decision did not hit him personally. As a result, he's more laid back about her position in Starfleet. He even attempts to mediate between Picard and Ro, an effort that is stymied by Ro insisting on questioning Picard alone.

Seven: When the security team takes a shuttle to the Titan rather than simply beaming over, Picard is spooked into asking for one more favor. She agrees to hide Jack from the investigation. She does this by giving him a Starfleet uniform to wear. "If security officers come looking, it's best to hide you in plain sight."

Dr. Crusher: She's a picture of crisp professionalism as she performs her autopsy on the changeling corpse, calmly observing the differences between this changeling and the ones Starfleet warred with decades earlier. She can see that Jack is troubled, and she urges him to talk to her about whatever is wrong.

Jack Crusher: The disguise of a Starfleet uniform works surprisingly well, though his aversion to Starfleet makes him reluctant to wear it. That's a secondary character beat, however. Most of his role centers around visions he's having of himself committing violent acts. The writers seem to badly want us to suspect that he's a changeling without knowing it - which is exactly why I'm sure that he isn't.

Capt. Shaw: Is positively giddy at the thought of Starfleet punishing Picard and Riker. When the two older officers point out that they've saved the galaxy multiple times, Shaw reminds them of some of the less spectacular aspects of their record, grinning as he recalls "that time that someone threw the Prime Directive out the window so they could snog a villager on Ba'ku." However, the events of the previous episodes are enough that he's willing to listen as the security investigation grows increasingly strange.

Commander Ro: Michelle Forbes returns to the franchise for the first time since TNG's Preemptive Strike, and she's still convincing as Ro. Her best moments, unsurprisingly, come opposite Picard. Her emotions toward him are every bit as raw as his toward her, with her feeling that his mentorship was always conditional on her upholding his values over her own. "I joined the Maquis because belonging there meant standing up to injustice, even if it meant betraying your beloved Starfleet!"


THOUGHTS:

If the first four episodes formed an action/suspense story, then this episode conveys more of a "conspiracy thriller" vibe, with the characters uncertain who to trust. They can't even be certain which officers actually are themselves, with Picard and Ro each showing suspicion that the other might be a changeling. It's an effective change-up, though I hope the show doesn't try to hold this particular tone and style for too long.

Imposters is not as good as No-Win Scenario was, but that would be an unfair expectation. It's still a good episode that continues to reflect one of the major strengths of this season: good use of the characters. The heart of the episode is the confrontation between Picard and Ro. Plot-wise, each suspects the other might be an imposter... but the real emotional core comes from each airing the pain inflicted by the other. Picard's anger rings true, but so does Ro's, and Patrick Stewart and Michelle Forbes play as well off each other now as they did back in the day.

The Worf/Raffi subplot is less interesting than the rest, and I rolled my eyes at a particularly clichéd plot development once they finally came face-to-face with Krinn. Still, Michael Dorn and Michelle Hurd work well together, and this episode finally connects their strand to the main plot. While Krinn's method of dealing with them is ludicrous and - for a Vulcan - rather illogical, the scene is at least watchable, even if it's the episode's weakest.

More importantly, in a season that's managed consistently strong episode endings, this one might have the most startling ending yet...


OVERALL:

Imposters is another good episode in what's shaping up to be a good season. The story moves to its next phase, with a shift in tone that should keep the arc from becoming stale. The episode gets an extra boost from the dynamic between Picard and Ro, with the characters' emotions feeling authentic and true to who the two of them are.

The Picard/Ro material earns an already good episode an extra point, leaving me awarding a strong...


Overall Rating: 8/10.

Previous Episode: No-Win Scenario
Next Episode: The Bounty

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3-03. Seventeen Seconds.

Riker (Jonathan Frakes) clashes with Picard.

Original Air Date: Mar. 2, 2023. Written by: Jane Maggs, Cindy Appel. Directed by: Jonathan Frakes.


THE PLOT:

The Titan flees into the nebula, with Vadic's massive Shrike on its tail. Capt. Shaw's plan is to hide inside the nebula until Engineering is able to repair the warp engines. Before that can happen, Vadic finds them. Shaw is injured in the ensuing attack, and he places Riker in command before being taken to sickbay.

Jack and Seven are able to discover how the Shrike keeps finding them, which leads to a disagreement between Picard and Riker. Riker wants to create a false trail to buy time for them to run for safety. Picard thinks they should lay the same trail - but use it to lure Vadic's ship into an ambush, something Riker believes would amount to suicide!

Meanwhile, Raffi meets her secretive handler: Worf (Michael Dorn). He tells her that he isn't with Starfleet but is instead "freelance." He believes that the terrorist attack on Starfleet was a prelude for something even more devastating. Fortunately, he has a lead - and following it leads him and Raffi to a startling discovery!


CHARACTERS:

Picard: Though he tells Riker to start calling him "Number One," he refuses to accept that he's not in command. The problem is not that he argues with Riker about the correct approach. As Decker pointed out to Kirk in The Motion Picture, presenting alternatives is part of a First Officer's role, and there is strategic merit in his suggested course. But he openly bickers with Riker in front of the crew even after Riker has made his decision, and he doesn't seem to recognize how wildly inappropriate that is.

Riker: So far this season I've been more impressed with Jonathan Frakes's Riker than I have been with Picard himself, and this episode is his best showcase so far. Frakes dominates every scene he's in, balancing the character's humor and caution to good effect. He also plays a new note here: anger. After half an episode of being browbeaten by Picard, he flares up and reminds his old friend that he is the one in charge. This is effective - and his cold anger a little later is even more so.

Worf: "I am Worf: son of Mogh, House of Martok; son of Sergey, House of Rozhenko; bane to the Duras family; slayer of Gowron. I have made some chamomile tea. Do you take sugar?" The end of Disengage revealed Raffi's handler to be none other than Worf. This signals an important shift for the season - mainly, that I will no longer mind so much when the action cuts away to the Raffi subplot. Michael Dorn slips seemingly effortlessly back into the role, and his dry line deliveries are enormously entertaining. Critically, Worf has changed in the intervening years (which actually checks off one of my wishlist items). He's still ready for action, but he now prefers to think before acting. "A fight is rarely worth dying for," he proclaims - which marks a pretty big shift from, "Today is a good day to die!"

Raffi: She is experiencing withdrawal after taking a narcotic in front of the Ferengi gangster. This puts her even more on edge than usual, and I'll give actress Michelle Hurd credit in that there is actually a difference between "withdrawal Raffi" and normal Raffi. It's amusing to see her bicker with Worf, with him now having to be the voice of restraint for a hothead. Worf compliments her by telling her that she has the heart of a warrior - though I half expected him to add something about also having the brain of a Pakled.

Dr. Crusher: She doesn't flinch when the ship's doctor is dismissive toward her, ignoring the disrespect - right up until the doctor's lack of experience almost costs Shaw his life. When that happens, she all but elbows the younger woman out of the way to take over the captain's care. She meant to tell Picard about Jack, but multiple attempts on Picard's life convinced her not to. As she says, being Picard's son would have put a target on Jack. "As a mother, your whole being is about protecting your child. I thought I could protect mine. I didn't know if I could protect yours."

Capt. Shaw: I really wish his belligerence hadn't been so overdone in the first episode, because he's been nothing but well-written ever since. Once they have a temporary respite from the Shrike's assault, he tells the officers who have spent too many hours on duty to rest while they can, indicating that his concern for his crew's welfare is no act. After he's injured, he doesn't hesitate to put Riker in command. Even in sickbay, he still is thinking about his ship and the situation, asking Jack exactly how Vadic keeps finding them inside this nebula.

Jack Crusher: Shaw's question sets him to thinking. He looks at the bloody footprints on the floor of sickbay, and he reaches a realization: Vadic is finding them because they are leaving traces behind them. When he's denied access to the bridge, he goes to Seven with his suspicions, which leads directly to the episode's major revelation.


SEVENTEEN SECONDS AND THE VISUAL ELEMENT:

Seventeen Seconds returns Jonathan Frakes to the director's chair. Can he direct the rest of the season? He doesn't change the lighting style, but he makes it work. In this episode, the frame isn't just dark - Attention is given to where the light in a given shot is coming from, and the light sources are used in such a way that the focus of each scene is clearly visible even when the bulk of the frame is in shadow. The tone created by the darkness is maintained, but in a way that grants importance to whatever on screen isn't in darkness.

Frakes also uses the space between characters to good effect. When Picard talks to Beverly about Jack, they are on opposite sides of the frame, with the bulk of the shot being the empty space between them. Picard and Riker are also distanced within shots during their disagreements, this time less by proximity than focus. The focus shifts from one to the other, not only according to who is speaking but also to showcase their (particularly Riker's) reactions. Eventually, Riker loses his temper (not without reason) - at which point he is left alone in the frame in lighting that's both cold and diminishing as the shot ends.

All of this is highly effective, the visuals maintaining the style and tone of the season while also connecting to the characters and their relationships. The result is that a visual palette that I've been fairly vocal in disliking is suddenly made to work - though there's no saving the heavy-handed Blade Runner planet of the Raffi subplot. At least this episode ends with an indication that she's finally going to leave for a hopefully less derivative setting.


OTHER MUSINGS:

Beyond the excellent directing, Seventeen Seconds finally delivers a Season Three episode that I thoroughly enjoyed! The episode benefits from a good script that delivers strong character moments even as it moves the plot forward. The Raffi/Worf thread gets connected to the main story, mainly in that Worf and Raffi reach the same realization that the Titan crew do about the nature of the threat. This revelation also raises the potential for new directions.

It's well structured. The first Act allows the characters room to breathe as the Titan hides from the Shrike. Then the enemy ship finds them, Shaw is injured, and Riker is put in charge. Further complications ensue: The nebula is more than it seems, making it "ill-advised" to just try flying through it. Vadic seems prepared for their every move, even though it should be impossible for her to track them. Picard and Riker are at odds over strategy; critically, both present valid arguments, making the viewer uncertain which of them is right (though there's little question that Picard's behavior is inappropriate).

These and additional complications build and combine to strong effect. The reason Vadic can find them is linked to episode's major revelation, which itself feeds the Picard/Riker conflict. This is intercut with Worf and Raffi reaching the same realization, connecting the two strands even though they have yet to fully converge. Most importantly, every new development puts the heroes in a weaker and more perilous position, which makes for a gripping hour of television.


OVERALL:

Seventeen Seconds is easily the best episode yet of Picard's third season. Up to this point, I haven't been particularly gripped by Season Three. This episode changes that, and it does so right out the gate. For the first time this season, I find myself fully looking forward to the next installment.


Overall Rating: 9/10.

Previous Episode: Disengage
Next Episode: No-Win Scenario

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